{"id":5944,"date":"2019-02-18T11:30:04","date_gmt":"2019-02-18T10:30:04","guid":{"rendered":"http:\/\/verket.utvsajt.se\/?post_type=konstverk&p=5944"},"modified":"2026-03-31T13:35:13","modified_gmt":"2026-03-31T11:35:13","slug":"glaskonst-vita-frun","status":"publish","type":"konstverk","link":"https:\/\/verket.se\/svenska\/konstverk\/glaskonst-vita-frun\/","title":{"rendered":"Vita frun"},"content":{"rendered":"\n

Smederna, kl\u00e4dda i sin arbetsmundering i vitt och svart, dras med i g\u00e4ckande, f\u00f6rf\u00f6risk dans av hyttans vita fru. Vem \u00e4r hon, den s\u00e4genomspunna kvinnliga gestalten, som i hyttans dunkel b\u00e5de lockar och skr\u00e4mmer? B\u00e4r vita frun alltid varsel om olycka \u2013 eller finns hos henne ocks\u00e5 en v\u00e4nlig lekfullhet som spelar alla ett spratt? Kanske smederna vet . .<\/p>\n\n\n\n

Kjell Engman tolkar hyttans liv \u2013 och dess tid \u2013 i en v\u00e4rld av glaskonst. Gripen av den scen som arbetets katedral utg\u00f6r, gestaltar han dr\u00f6mmar \u2013 eller mardr\u00f6mmar \u2013 hos de m\u00e4nniskor som en g\u00e5ng hade sina liv f\u00f6rbundna med j\u00e4rnverket.<\/p>\n\n\n\n

Vita frun \u00e4r huvudpersonen. Vi vet inte s\u00e4kert var hon \u00e4r \u2013 om hon finns. Smederna symboliserar arbetarna, som h\u00f6ll hytta och martinverk i drift, dygnet om, \u00e5ret runt. Det vitgl\u00f6dande j\u00e4rnet, som borde tappas ut via masugnens botten, rinner h\u00e4r \u00f6verraskande ut i gyllene str\u00f6mmar. I ett grottm\u00f6rkt h\u00f6rn skimrar iskristaller och herrskapsfolket syns samlade vid sin bar. Med h\u00f6gdragen elegans \u00f6vervakar brukspatronen \u2013 i smyg \u2013 det hela. \u00c4r allt en synvilla?
N\u00e4rvaron av 1920-talet \u00e4r p\u00e5tagligt \u2013 med sitt d\u00e5f\u00f6rtiden utmanande mode i dj\u00e4rva kl\u00e4nningar och h\u00f6gklackade dansskor och med verklighetens masugn som bildar b\u00e5de fond och centrum. Masugnen var ny 1915. Tidsandan, efter det stora v\u00e4rldskriget, var ocks\u00e5 ny. En underton av underg\u00e5ng tr\u00e4nger sig p\u00e5 \u2013 en f\u00f6raning om 1930-talets haverier f\u00f6r v\u00e4rldens ekonomi och demokrati och f\u00f6r den storskaliga industrialismens allra f\u00f6rsta skapelser.<\/p>\n\n\n\n

-M\u00e4nniskan b\u00e4r alltid en mask. Vilken vi f\u00f6r stunden s\u00e4tter p\u00e5, beror p\u00e5 sammanhanget, s\u00e4ger Kjell Engman. (2006)<\/p>\n\n\n\n

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