{"id":23563,"date":"2026-01-21T10:34:47","date_gmt":"2026-01-21T09:34:47","guid":{"rendered":"https:\/\/verket.se\/?page_id=23563"},"modified":"2026-04-28T11:00:56","modified_gmt":"2026-04-28T09:00:56","slug":"avesta-art-2026","status":"publish","type":"page","link":"https:\/\/verket.se\/en\/avesta-art-2026\/","title":{"rendered":"Avesta Art 2026"},"content":{"rendered":"
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Avesta Art 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Earthly Bodies Born of Love\u00a0\n\n23 maj \u2013 20 september\u00a0<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Earthly Bodies Born of Love \u00e4r en grupputst\u00e4llning d\u00e4r \u00e5tta internationella och svenska konstn\u00e4rer kopplar samman Avestas industriella f\u00f6rflutna med dagens digitala system. Verken str\u00e4cker sig fr\u00e5n installationer och ljud till datorspel och r\u00f6rlig bild och visar hur samtidens produktionss\u00e4tt och vardagsliv formar v\u00e4rlden omkring oss.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Participating artists<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSelma Selman<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Selma Selman (f. 1991, Bosnien och Hercegovina) \u00e4r konstn\u00e4r med romsk bakgrund som arbetar med performance, video, skulptur och installation. Hennes praktik tar ofta avstamp i hennes familjs arbete med skrot\u00e5tervinning och i erfarenheter av att leva i ett marginaliserat romskt sammanhang. Genom detta unders\u00f6ker hon fr\u00e5gor om v\u00e4rde, arbete, k\u00f6n, identitet och motst\u00e5nd.<\/span><\/p>

A video version of the work Motherboards is on display at Avesta Art. Motherboards<\/em>.<\/span><\/p>

In the work, Selman makes visible the connections between technological waste, physical labor, and economic systems. Motherboards relates to the exhibition's theme by showing how both industrial and digital systems are built on extraction, recycling, and invisible labor\u2014and how these systems have concrete consequences for people and their living conditions.<\/span><\/p>

Selma Selman holds a Bachelor\u2019s degree in Painting from the University of Banja Luka and a Master\u2019s degree from Syracuse University. She is also the founder of the organization Get The Heck To School, which supports the education of Romani girls facing social exclusion and poverty.<\/span><\/p>

Homepage:\u00a0https:\/\/www.selmanselma.com\/<\/a><\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLundahl & Seitl<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Lundahl & Seitl \u00a0\u00e4r konstn\u00e4rliga partners b\u00e5de i livet och i sitt arbete. De skapar immersiva verk som r\u00f6r sig mellan performance, installation och koreografi, d\u00e4r tid, r\u00f6relse och kroppslig n\u00e4rvaro st\u00e5r i centrum. I deras praktik anv\u00e4nds m\u00e4nniskokroppen som medium f\u00f6r att unders\u00f6ka relationer mellan kropp, landskap och ekosystem.<\/span><\/p>

At Avesta Art, the work River Biographies<\/em>, which takes its starting point in rivers as carriers of memory, movement, and change.<\/span><\/p>

The work examines how human bodies and natural systems are intertwined, and how landscapes can be understood as something living and fluid rather than static.<\/span><\/p>

Lundahl & Seitl have exhibited internationally, including at the Royal Academy of Arts in London, Gropius Bau in Berlin, Accelerator in Stockholm, Centre Pompidou-Metz, Chronus Art Center in Shanghai, and the Kochi-Muziris Biennale. They also participated in documenta 15 with the commissioned work Echoes of Alternative Histories <\/em>and received the Performance Art Prize at the Karachi Biennale KB24.<\/span><\/p>

Homepage:<\/span>\u00a0https:\/\/lundahl-seitl.minerva2.vscmedia.com\/<\/a><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDiana Orving<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Diana Orving (b. 1985, Sweden) is an artist based in Stockholm. She works with textile sculptures and painting, investigating how memories, emotions, and bodily experiences can take shape in material form. In her work, fabric and stitching are treated as something living, where movements and shifts make otherwise invisible processes visible.<\/span><\/p>

Orving\u2019s work moves between different states, such as tension and dissolution, stillness and change. By working on a large scale with soft materials, she explores how form can carry traces of time, motion, and inner transformation.<\/span><\/p>

Orving har st\u00e4llt ut b\u00e5de i Sverige och internationellt, bland annat p\u00e5 Millesg\u00e5rden, Liljevalchs och Artipelag i Stockholm, Galleri Arnstedt, G\u00f6teborgs konstmuseum, och Varbergs Konsthall.<\/p>

Homepage:\u00a0https:\/\/www.dianaorving.com\/<\/a><\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTuomas A. Laitinen<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Tuomas A. Laitinen (f. 1976, FI) \u00e4r konstn\u00e4r baserad i Helsingfors. Han arbetar med r\u00f6rlig bild, ljud, ljus, glas samt kemiska och biologiska processer och unders\u00f6ker hur natur, teknik och energi h\u00e4nger samman i st\u00e4ndigt f\u00f6r\u00e4nderliga system. P\u00e5 Avesta Art visas verket The Earth is the Ear of <\/em>the Bear<\/em>, which consists of sound, video, and sculpture.<\/span><\/p>

The work takes its point of departure in environments and listening, and is inspired by Norse mythology. By combining myth, perception, and material processes, Laitinen explores how landscapes and surroundings can be perceived as active and sentient rather than as passive backgrounds.<\/span><\/p>

Laitinen studied at the Finnish Academy of Fine Arts and has exhibited at venues such as the Helsinki Biennial, Kiasma, Amos Rex, and ZKM Karlsruhe.<\/span><\/p>

Homepage:\u00a0http:\/\/www.tuomasalaitinen.com\/<\/a><\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tOleksandr Kutovyi<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Oleksandr Kutovyi (f. 1983, Ukraina) \u00e4r konstn\u00e4r baserad i Milano. Han arbetar fr\u00e4mst med skulptur och unders\u00f6ker hur form, funktion och estetik anv\u00e4nds inom system som r\u00f6r makt, kontroll och v\u00e5ld.<\/span><\/p>

His work often takes its starting point in industrial and architectural expressions that, at first glance, may appear neutral or rational.<\/span><\/p>

Kutovyi trained in monumental sculpture at the Odessa Art School and the National Academy of Fine Arts and Architecture in Kyiv. In his sculptures, he deconstructs and reinterprets forms associated with order, efficiency, and governance, showing <\/span>how such visual languages can conceal the consequences they have for bodies, labor, and societies. Earthly Bodies Born of Love <\/em>In Earthly Bodies Born of Love, this is linked to the exhibition\u2019s broader questions regarding industrial heritage and the systems that continue to shape our lives today.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTheresa Traore Dahlberg<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Theresa Traore Dahlberg (f. 1983, Sverige) \u00e4r konstn\u00e4r baserad i Stockholm. Hon arbetar med installation, skulptur, film och ljud och utg\u00e5r ofta fr\u00e5n material som b\u00e4r sp\u00e5r av arbete, produktion och tidigare anv\u00e4ndning. P\u00e5 Avesta Art visas verket Beyond Signals II<\/em>is presented, in which parts from 3G and 4G base stations are formed into new objects. The work makes visible how technical systems and communication affect landscapes and bodies, even when they are perceived as invisible.<\/span><\/p>

Theresa Traore Dahlberg studied at The New School in New York, holds a Bachelor\u2019s degree from Stockholm University of the Arts, and a Master of Fine Arts from the Royal Institute of Art. Her work has been exhibited at venues including Liljevalchs Konsthall and the Helsinki Biennial.<\/span><\/p>

Homepage:<\/span>\u00a0https:\/\/theresatraoredahlberg.com\/<\/a><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAlice Bucknell<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Alice Bucknell (f. 1993, USA) \u00e4r konstn\u00e4r, f\u00f6rfattare och pedagog baserad i Los Angeles. Hen arbetar med datorspel och video f\u00f6r att unders\u00f6ka hur teknik, m\u00e4nniskor och milj\u00f6 h\u00e4nger ihop. P\u00e5 Avesta Art visas det interaktiva dataspelet Small Void och videon Ground Truthing. Bucknells verk anv\u00e4nder lek och spel f\u00f6r att visa hur v\u00e5ra s\u00e4tt att f\u00f6rst\u00e5 v\u00e4rlden formas av digitala system \u2013 och hur dessa system\u00a0p\u00e5verkar b\u00e5de v\u00e5ra kroppar och v\u00e5r omgivning<\/span>.<\/p>

Recently completed and upcoming exhibitions include Nightcrawlers at Centre Pompidou, Soft Robots at Copenhagen Contemporary, and Almost Unreal at the MUNCH Oslo Triennial. <\/span>Other Intelligences at HEK, The Solar Biennial at MUDAC, and Kunsthalle Praha. Previous exhibitions and collaborations include projects with Serpentine, the Venice Biennale <\/span>Frieze x Getty PST, and the Los Angeles Public Library.<\/span><\/p>

Homepage:<\/span>\u00a0https:\/\/alicebucknell.com\/<\/a><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Avesta har historiskt varit, och \u00e4r fortfarande, en betydande plats f\u00f6r j\u00e4rn- och <\/span>st\u00e5lproduktion. I dag lever vi i en ekonomi d\u00e4r data och information \u00e4r den nya r\u00e5varan. Utst\u00e4llningen anv\u00e4nder samma plats f\u00f6r att visa hur de tv\u00e5 systemen h\u00e4nger ihop \u2013 och hur b\u00e5da p\u00e5verkar levande organismer, klimatet och d\u00e4rmed \u00e4ven v\u00e5r kultur och v\u00e5ra samh\u00e4llen. Genom installationer, skulptur, video, ljud och datorspel visar konstn\u00e4rerna hur teknik, arbete och m\u00e4nskliga val p\u00e5verkar v\u00e4rlden omkring oss och skapar en upplevelse d\u00e4r Avestas industriella f\u00f6rflutna m\u00f6ter samtida konst. <\/span>Konstn\u00e4rer fr\u00e5n USA, Finland, Bosnien och Hercegovina, Ukraina och Sverige <\/span>samlas i Avesta f\u00f6r en gemensam utst\u00e4llning om kroppar, arbete, teknik och framtid.<\/span><\/p>

Programmet rymmer flera sverigepremi\u00e4rer och internationellt uppm\u00e4rksammade <\/span>verk \u2013 fr\u00e5n Alice Bucknells datorspel och Selma Selmans videoverk, till platsspecifikt och interaktivt performance av Lundahl & Seitl och storskaliga installationer av Diana Orving och Tuomas A. Laitinen \u2013 samt vernissage med livekonsert.<\/span><\/p>

Om Avesta Art <\/span><\/p>

Avesta Art grundades 1995 och har sedan dess blivit en viktig sommarutst\u00e4llning f\u00f6r <\/span>staden. Varje \u00e5r f\u00f6rvandlas Verket, det gamla j\u00e4rnbruket fr\u00e5n 1800-talet, till en plats f\u00f6r<\/span>samtida konstutst\u00e4llningar.<\/span><\/p>

Generella fr\u00e5gor om \u00e5rets utst\u00e4llning kontakta curator, Karolina Aastrup, lina.aastrup@gmail.com\u00a0<\/span><\/span><\/p>

Press kontaktar contact@partprojects.se<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Previous Avesta Art catalogues<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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What is Avesta Art?<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Permanent art in Verket<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I Verket finns ett flertal fasta konstverk och installationer. De finns i olika skepnader, utformningar och material. De flesta har kommit p\u00e5 plats genom ett Avesta Art \u00e5r, och blivit kvar d\u00e4refter. Andra har hittat hem i de suggestiva lokalerna p\u00e5 annat s\u00e4tt. Samtliga installationer \u00e4r p\u00e5 ett s\u00e4tt eller annat helt integrerade i milj\u00f6n.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tPaintings of labour and furnaces.\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Avesta Art 2026 Earthly Bodies Born of Love\u00a0 23 maj \u2013 20 september\u00a0 Earthly Bodies Born of Love \u00e4r en grupputst\u00e4llning d\u00e4r \u00e5tta internationella och<\/p>","protected":false},"author":2,"featured_media":23550,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-23563","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nAvesta Art 2026 | Verket<\/title>\n<meta name=\"description\" content=\"Avesta Art 2026 - Earthly Bodies Born of Love 23 maj \u2013 20 september 2026. 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